The Barbican, known for its pristine acoustics and intimate atmosphere, was the perfect setting for an evening with Jason Isbell. On 10 February 2025, Isbell delivered a set that was nothing short of emotional, captivating, and deeply human.
The night kicked off with a soaring rendition of “Bury Me,” immediately setting the tone for a show that would alternate between heartache and hope. Isbell’s voice, rich and raspy, carried the weight of his songs like a storyteller whose lyrics were laced with both personal reflection and universal themes.
Isbell didn’t waste time delving into some of his finest work from the past. “Overseas,” a standout from his 400 Unit days, reverberated throughout the venue, with its distinct blend of folk and rock resonating perfectly within The Barbican’s walls. The smooth, melancholic “Foxes in the Snow” followed, highlighting his ability to convey fragility in a way that felt intimate, yet expansive. The haunting “Gravelweed” brought an earthy, rootsy vibe before “Live Oak,” one of his more somber yet compelling tracks, had the audience hanging on every word.
The energy began to shift as Isbell launched into one of his most beloved songs, “Cover Me Up.” The song’s raw vulnerability, paired with his evocative guitar work, left the room in a collective hush, and the emotional intensity continued to build with the heartbreaking “Elephant.” There’s something about hearing this track live that amplifies its poignancy, and the performance at The Barbican was no exception—there wasn’t a dry eye in the house.
The setlist also gave space to tracks like “Last of My Kind,” and “Cast Iron Skillet,” both from his 400 Unit days, which were greeted with excitement by fans who revel in the rougher, Southern rock-infused side of his discography. The atmospheric “Ride to Robert’s” followed, a mesmerizing, winding ballad that perfectly matched the ambiance of the venue.
As the set approached its end, the crowd was treated to a powerful pairing of “If We Were Vampires” and “Alabama Pines.” The former, with its exploration of mortality and fleeting love, was as haunting as ever. The latter brought the warmth of the Alabama landscape alive, offering a bittersweet nostalgia that still echoes deeply.
After a brief interlude, the encore began with “Outfit,” a Drive-By Truckers song that gave a nod to Isbell’s roots. He followed that up with a surprising and beautiful cover of Bon Iver’s “Beth/Rest,” which showcased his versatility and ability to reinterpret even the most unconventional material with his signature style. To close, Isbell delivered “True Believer,” a triumphant song that filled the venue with energy and left everyone buzzing.
High Fives & Stage Dives 